'Writers are always nervous.' 'If you go to a party, you will notice that the writers are always in a corner of the party, looking anxious, sweating and tense about something or the other.' 'I am that kind of person.'
Ayushmann Khurrana is ready to repeat the flirtatious woman deed second time around in Dream Girl 2.
Deepa Gahlot lists 10 popular family shows and films streaming on various platforms.
'This trope must have been taken in 30 films.' 'The rogue agent is a common trope and not something unique.'
'Great talent sadly underused.'
It's raining movies and Web series on the Amazon Prime Video platform!
Joginder Tuteja looks back at their many movies together.
As the second season of The Night Manager hits the OTT screen, Deepa Gahlot looks back at the top spy thrillers on streaming platforms.
Bollywood movies have a soft corner for Dil and Pyaar. But its Ram love is no less prolific.
JugJugg Jeeyo is a David Dhawan comedy, not directed by David Dhawan, observes Sukanya Verma.
June 30, 2000: The day Refugee released.
John Abraham is impressive in Attack. Sadly, the story is not, notes Namrata Thakker.
'I just want to keep on working till they have to shoot me down.'
Terrific actors, along with a simple, well-executed story, makes Gullak 2 a must watch, applauds Namrata Thakker.
All its many characters, though portrayed by an able cast, are, ultimately, mere outlines devoid of nuance or depth, points out Sukanya Verma.
'This world shows humanity in a fraudulent light.'
Sukanya Verma picks 10 essential David Dhawan movies you need to watch to understand their loony appeal.
While he awaits an exciting 2021 with Mumbai Saga, Satyameva Jayate 2, Attack and Pathan, Joginder Tuteja takes a look at his top 10 hits.
'I am as happy with Soha as I was before we got married because we were friends for a very long time.'
Manoj Bajpayee and Samantha Akkineni are simply fabulous in the second season of The Family Man, raves Namrata Thakker.
Life, history, adventure, Sukanya Verma offers a rather feverish schedule on OTT this week.
'Today, as a film personality, he is bigger than Dharma Productions.' 'But he is still warm and loyal to his friends from school, college and work.'
Ranbir Kapoor's larger-than-life daku depiction in and as Shamshera is old school at its spectacular best. While we wait to watch the actor in one of the most raw, rough and rustic outings of his career, here's Sukanya Verma's list of 25 daku roles we love, ranked in an ascending order.
On the actress' fourth death anniversary, Subhash K Jha selects his favourites.
Get your lowdown on what's going on in the world of Bollywood, right here!
The simplicity of the model that was the original, which allowed it to glide with grace, has been foregone, observes Rohit Sathish Nair.
'This man changed the mindset of a generation.'
After a lifetime of showing us what it means to 'act at the top of one's bent and never hit a false note', Mammootty had the good sense, in the third act of his career, to pare down his style, become less mannered, draw directly from life. And getting a performer like that to play characters who seem 'completely dead inside', is, in my view, a betrayal of his legacy, his still-burning ambition, and his still-sharp feelers, observes Sreehari Nair.
Vinod Dua was a Hindi broadcast journalism pioneer with stints in Doordarshan and NDTV.
Joginder Tuteja looks at promising comedies getting ready to tickle your funny bone.
Joginder Tuteja looks at Akki's various cop roles through the years, and realises that he's played one as many as 17 times!
The movie has its highpoints but it stretches a bit too much.
Feeling the heat and tension of the crisis? Fikar not!
Dilip Kumar remains an inspiring example of how one can build a career from scratch, fuelled purely by passion and hard work.
Sukanya Verma lists Anees Bazmee's stockpile of silliness.
This hormone-crazy, romantic-comedy is let down by some tepid direction.
The 84-year-old Dadasaheb Phalke Award winner has given some of the best talents to Indian cinema.
1997: Sukanya Verma offers a recap of its memorable imagery.
Amit Mistry was a wicked actor, someone who could chance a broken arm, who could take deep dives, who could ram his head into walls, all without bothering about the outcome. And, as with that closing bit, the knowledge of where he might have arrived at eludes us now, observes Sreehari Nair.
